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Haendel’s music has been a source of inspiration for a number of contemporary choreographers. From Messiah (choreographed by Mauricio Wainrot) to Terpsichore (choreographed by Béatrice Massin), including Robyn Orlin’s and Mark Morris’s respective transcriptions of L’Allegro, il Moderato e il Penseroso, Haendel’s works have set the stage for a variety of reflections on human nature and passions. This paper aims at investigating how the echoing visionary power of the original musical works is enhanced by these new creations.

Haendel après Haendel :
Construction, renommée, influence de Haendel et de la figure haendélienne
Nathalie Vincent-Arnaud
Université de Toulouse II - Le Mirail
Les métamorphoses de Terpsichore : Haendel et la danse aujourd'hui